Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
只能当史料来看了。和上一部一样，即使是只剩五个人，人们还是要斗争。不过冷战早期这美国片真有意思，黑人总是冷静勤劳聪明，白人则偏执暴力利己并且种族歧视。上一半的女人还算有了独立意识，同时批判两个男人，这部的女人塑造得跟傻子一样，只会胡闹的trouble maker。
对核辐射太轻看了，就是半个月光景，都成骷髅变得忒快啦。导演的核心就是表达三个和尚没水吃的寓意，好在千辛万苦之后，亚当和夏娃重聚了，繁衍还将继续
局限于时代的电影，在当时看来应该挺不错的。女角色的描写稀烂。
6/10。
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