Dreamy animated images in detailed henna painting and atmospheric watercolours dominate a young Spanish artist’s moving journey of discovery. In a small bookshop in India, Inés comes across the feminist-utopian science fiction story “Sultana’s Dream.” It is about the terrible revenge on men, the bookseller explains. In the slim volume she wrote in 1905, Rokeya Hossain describes the fantasy realm of Ladyland – a land in which women are self-determined and live in peace, in which they run all government affairs and all forms of education are open to them. And the men? Their place in Ladyland, the bookseller continues, is where they belong: locked up at home. Fascinated by the literary “painting” of this place and its inventor, Inés sets out in the footsteps of the writer and teacher Hossain, who championed education and equal rights for Indian girls and women as early as the beginning of the 20th century. The trip takes the Spaniard across contemporary India. Her companions are the dreams of Ladyland – and the utterly different realities of the lives of the women she meets on her journey. 源自：https://www.dok-leipzig.de/en/film/sultanas-dream/programm
动画印度电影也要跳舞啊
叙事技法比较悬浮，而奇丽的影像填充了这份悬浮，恰恰又和侯赛因的原版小说起到互辞。故事里主人公最后从梦中醒来，电影里的我则在寻「梦」的最终找到了一个能做梦的地方。
你们因为对自己的利益视而不见而失去了自己的天然权利。
是想让小时候的自己看的动画片 想象中是儿童画的缤纷多彩全女乌托邦，现实仍然是困在性缘叙事的“迷雾中的她”。 非常喜欢里面的想象和色彩，跨越时空和种族的女性共鸣与互助以及对宝莱坞（商业电影）的嘲讽。 非常推荐！（有一些trans和性缘，在意的姐妹可以排雷）
话说是制作方式的问题还是故意为之，图层为啥是有点透明的？