Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation. In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
节奏有点太匆忙了,但是对巴斯克斯几千年的崇拜的变化还是有所涵盖的
来酒神一下吧。
好泛泛而谈啊
总是在最后给到惊喜“Megan agan”,nothing in access.以及后半段忽然联系起尼采悲剧的诞生,酒神与日神的对立,以及罗素小西哲子里面bucchus的出现,过去的讨论都连成了一片,cult传承下去成为了culture
「对于艺术的存在,对于任何形式的审美活动或感知的存在,一定的生理先觉条件是不可或缺的:陶醉。」